Read an extract of Denis Johnson’s latest literary thriller, The Laughing Monsters. Set in Uganda, Sierra Leone and Congo, The Laughing Monsters tells a story of espionage, state secrets and treason in a land abandoned by the future.

Eleven years since my last visit and the Freetown airport still a shambles, one of those places where they wheel a staircase to the side of the plane and you step from Europe an climate control immediately into the steam heat of West Africa. The shuttle to the terminal wasn’t bad, but not air conditioned. Inside the building, the usual throng of fools. I studied the shining black faces, but I didn’t see Michael’s. The PA spoke. Only the vowels came through. I called over the heads of the queue at the desk—“Did I hear a page for Mr. Nair?”

“No, sir. No,” the man called back.

“Mr. Nair?”

“Nothing for such a name.”

A man in a dark suit and necktie said, “Welcome, Mr. Naylor, to Sierra Leone,” and helped me through the mess and chatted with me all through customs, which didn’t take long, because I’m all carry- on. He helped me outside to a clean white car, a Honda Prelude. “And for me,” he said, with a queasy- looking smile, “two hundred dollars.” I gave him a couple of one- euro coins. “But, sir,” he said, “it’s not enough today, sir,” and I told him to shut up.

The driver of the Honda wanted in the area of a million dollars. I said, “Spensy mohnee!” and his face fell when he saw I knew some Krio. We reached an arrangement in the dozens. He couldn’t go any lower because his heart was broken, he told me, by the criminal cost of fuel.

At the ferry there was trouble— a woman with a fruit cart, policemen in sky- blue uniforms throwing her goods into the bay while she screamed as if they were drowning her children. It took three cops to drag her aside as our car thumped over the gangway. I got out and went to the rail to catch the wet breeze. On the shore the uniforms crossed their arms over their chests. One of them kicked over the woman’s cart, now empty. Back and forth she marched, screaming. The scene grew smaller and smaller as the ferry pulled out into the bay, and I crossed the deck to watch

Freetown coming at us, a mass of buildings, many of them crumbling, and all around them a multitude of shadows and muddy rags trudging God knows where, hunched forward over their empty bellies.

At the Freetown dock I recognized a man, a skinny old Euro named Horst, standing beside a hired car with his hand shading his eyes against the sunset, taking note of the new arrivals. As our vehicle passed him I slumped in my seat and turned my face away. After we’d passed, I kept an eye on him. He got back in his car without taking on any riders.

Horst . . . His first name was something like Cosmo but not Cosmo. Leo, Rollo. I couldn’t remember.

I directed Emil, my driver, to the Papa Leone, as far as I knew the only place to go for steady electric power and a swimming pool. As we pulled under the hotel’s awning another car came at us, swerved, recovered, sped past with a sign in its window—splendid driving school. This resembled commerce, but I wasn’t feeling the New Africa.

I locked eyes with a young girl loitering right across the street, selling herself. Poor and dirty, and very pretty. And very young. I asked Emil how many kids he had. He said there were ten, but six of them died. Emil tried to change my mind about the hotel, saying the place had become “very demoted.” But inside the electric lights burned, and the spacious lobby smelled clean, or poisonous, depending on your opinion of certain chemicals, and everything looked fine. I’d heard the rebels had shot it out with the authorities in the hallways, but that had been a decade before, just after I’d run away, and I could see they’d patched it all up.

The clerk checked me in without a reservation, and then surprised me:

“Mr. Nair, a message.”

Not from Michael— from the management, in purple ink, welcoming me to “the solution to all your problems,” and crafted in a very fine hand. It was addressed “To Whom It May Concern.” Clipped to it was a slip of paper, instructions for getting online. The desk clerk said the internet was down but not always. Maybe tonight.

I had a Nokia phone, and I assumed I could get a local SIM card somewhere, but— the clerk said— not at this hotel. For the moment, I was pretty well cut off.

Good enough. I didn’t feel ready for Michael Adriko. He was probably here at the Papa in a room right above my head, but for all I knew he hadn’t come back to the African continent and he wouldn’t, he’d only lured me here in one of his incomprehensible efforts to be funny.

The room was small and held that same aroma saying, “All that you fear, we have killed.” The bed was all right. On the nightstand, on a saucer, a white candle stood beside a red and- blue box of matches.

I’d flown down from Amsterdam through London Heathrow. I’d lost only an hour and I felt no jet lag, only the need of a little repair. I splashed my face and hung a few things and took my computer gear, in its yellow canvas carrier kit, downstairs to the poolside. On the way I stopped to make an arrangement with the barman about a double whiskey. Then at a poolside table in an environment of artful plants and rocks, I ordered a sandwich and another drink.

A woman alone a couple of tables away pressed her hands together and bowed her face toward her fingertips and smiled.

I greeted her:

“How d’body?”

“D’body no well,” she said. “D’body need you.”

I cracked my laptop and lit the screen. “Not to night.” She didn’t look in the least like a whore. She was probably just some woman who’d stopped in here to ease her feet and might as well seize a chance to sell her flesh. Right by the pool, meanwhile, a dance ensemble and percussionist had all found their spots, and the patrons got quiet. Suddenly I could smell the sea. The night sky was black, not a star visible. A crazy drumming started up.

Off- line, I wrote to Tina: I’m at the Papa Leone Hotel in Freetown. No sign of our old friend Michael. I’m at the poolside restaurant at night, where there’s an African dance group, I think they’re from the Kissi Chiefdom (they look like street people), doing a number that involves falling down, lighting things on fire, and banging on wild conga drums.

Now one guy’s sort of raping a pile of burning sticks with his clothes on and people at nearby tables are throwing money. Now he’s rolling all around beside the swimming pool, embracing this sheaf of burning sticks, rolling over and over with it against his chest. It’s a bunch of kindling about half his size, all ablaze. I’m only looking for food and drink, I had no idea we’d be entertained by a masochistic pyromaniac. Good Lord, Dear Baby Girl, I’m at an African hotel watching a guy in flames, and I’m a little drunk because I think in West Africa it’s best always to be just a tiny bit that way, and the world is soft, and the night is soft, and I’m watching a guy.

Across the large patio, Horst appeared and threaded himself toward me through the fi re and haze. He was a tanned, dapper white- haired white man in a fishing vest with a thousand pockets and usually, I now remembered, tan walking shoes with white shoelaces, but I couldn’t tell at the moment.

“Roland! It’s you! I like the beard.”

“C’est moi,” I admitted.

“Did you see me at the quay? I saw you!” He sat down.

“The beard gives you gravitas.”

We bought each other a round. I told the barman, “You’re quick,” and tipped him a couple of euros. “The staff are efficient enough. Who says this place has gone downhill?”

“It’s no longer a Sofitel.”

“Who owns it?”

“The president, or one of his close companions.”

“What’s wrong with it?”

He pointed at my machine. “You won’t get online.”

I raised my glass to him. “So Horst is still coming around.”

“I’m still a regular. About six months per year. But this time I’ve been kept home almost one full year, since last November. Eleven months.”

The entertainment got too loud. I adjusted my screen and put my fingers on the keyboard. Rude of me. But I hadn’t asked him to sit down.

“My wife is quite ill,” he said, and he paused one second, and added, “terminal,” with a sort of pride.

Meanwhile, two meters off, by the pool, the performer had set his shirt and pants on fire.

To Tina:

I saw a couple of US soldiers in weird uniforms at the desk when I checked in. This place is the only one in town that has electricity at night. It costs $145 a day to stay here. Hey—the beard’s coming off. It’s no camouflage at all. I’ve already been recognized.

With the drumming and the whooping, who could talk?

Still, Horst wouldn’t let me off. He’d bought a couple of rounds, discussed his wife’s disease . . . Time for questions. Beginning with Michael.

“What? Sorry. What?”

“I said to you: Michael is here.”

“Michael who?”

“Come on!”

“Michael Adriko?”

“Come on!”

“Have you seen him? Where?”

“He’s about.”

“About where? Shit. Look. Horst. In a land of rumors,

how many more do we need?”

“I haven’t seen him personally.”

“What would Michael be here for?”

“Diamonds. It’s that simple.”

“Diamonds aren’t so simple anymore.”

“Okay, but we’re not after simplicity, Roland. We’re after adventure. It’s good for the soul and the mind and the bank balance.”

“Diamonds are too risky these days.”

“You want to smuggle heroin? The drugs racket is terrible.

It destroys the youth of a nation. And it’s too cheap. A kilo of heroin nets you six thousand dollars US. A kilo of diamonds makes you a king.”

To Tina I wrote: Show’s over now. Everyone appears uninjured. The whole area smells like gasoline.

“What do you think?” Horst said.

“What I think is, Horst— I think they’ll snitch you.

They’ll sell you diamonds and then they’ll snitch you, you know that, because around here it’s nothing but snitches.”

Maybe he took my point, because he stopped his stuff while I wrote to Tina:

I’m getting drunk with this asshole who used to be undercover Interpol. He looks far too old now to get paid for anything, but he still sounds like a cop. He calls me Roland like a cop.

At any point I might have asked his first name. Elmo?

Horst gave up, and we just drank. “Israel,” he told me, “has six nuclear- tipped missiles raised from the silos and pointing at Iran. Sometime during the next US election period—boom- boom Teheran. And then it’s tit for tat, that’s the Muslim way, my friend. Radiation all around.”

“They were saying that years ago.”

“You don’t want to go home. Within ten years it will be just like here, a bunch of rubble. But our rubble here isn’t radioactive. But you won’t believe me until you check it with a Geiger counter.” The whiskey had washed away his European manner. He was a white- haired, red- faced, jolly elfin cannibal.

In the lobby we shook hands and said good night. “Of course they’d like to snitch you,” he said. He stood on his toes to get close to my left ear and whisper: “That’s why you don’t go back the way you came.”

The Laughing Monsters, Denis Johnson (Harvill Secker) is available now. Read more exclusive crime extracts, news and reviews on Dead Good. 

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